2. adamvellaa:

    Source: It’s Nice That : Some excellent poster work from Istanbul-based Studio Sarp Sozdinler - http://ift.tt/1A4DJTN

    (via pluon)


  3. "I don’t believe you can be satisfied and creative at once…If you were creatively satisfied, then you wouldn’t keep doing it."
    — Molly Crabapple via The Great Discontent (via hereforthecolor)
  4. etsyfindoftheday:

    FRIDAY FRENZY | etsy find of the day 4 | 2.28.14

    helvetica cookie cutter set by printmeneer

    typography nerds UNITE! this cookie cutter set is the letters of the word ‘helvetica’ in freaking helvetica font. *pushes glasses up nose and snorts*


  5. saatchiart:

    “One might not think of light as a matter of fact, but I do. And it is, as I said, as plain and open and direct an art as you will ever find.” –Dan Flavin

    (Source: saatchiart.com, via falinandhearts)


  7. graphicporn:

    I need tinder but where you can only see the other person’s favourite fonts

  9. amare-habeo:

    František Kaván (Czech, 1866–1941) - Despair (Zoufalství), 1890

    The Modern Art Museum, Olomouc, Czech Republic

  11. heykyle:

    Who run the world? Curlz.


  12. "Jenny Holzer’s famous truism “Protect me from what I want” renders in a very precise way the fundamental ambiguity of the hysterical position. It can either be read as an ironic reference to the standard male chauvinist wisdom that a woman, when left to herself, gets caught in the self-destructive fury, so that she must be protected from herself by the benevolent male domination: “Protect me from the excessive self-destructive desire in me that I myself am not able to dominate.” Or it can be read in a more radical way, as pointing towards the fact that in today’s patriarchal society, woman’s desire is radically alienated, that she desires what men expect her to desire, that she desires to be desired by men. In this case, “Protect me from what I want” means “What I want, precisely when I seem to formulate my authentic innermost longing, is already imposed on me by the patriarchal order that tells me what to desire, so the first condition of my liberation is that I break up the vicious cycle of my alienated desire and learn to formulate my desire in an autonomous way.”"
    — Slavoj Žižek, How To Read Lacan  (via lecollecteur)

    (Source: linkinparkvevo420696661337, via toniiu)

  13. betype:

    Complete Uni Sans Font Family 89% Off for 5 days.

    When it comes to bold, strong, high-quality typefaces, you certainly can’t go wrong with Uni Sans. This professional font family was inspired by the classic grotesque strong typefaces, but features a more softened geometric touch. With 7 different weights in 2 styles (both upright and italics), this bold family is the perfect choice for a headline typeface. And if you act now, you can get it all for only $19!

    Download it here: http://bit.ly/unisansdeal

    (via goodtypography)

  14. likeafieldmouse:

    Rick Copsey - Paintscapes (2012)

    "The Paintscapes series presents photographs of wet paint that seem to circumvent the inherent ‘truth’ of the camera as the apparent verisimilitude of each image renders problematic what constitutes reality.

    As illusions, the Paintscapes works mirror Kant’s idea of the sublime in nature as ‘formless and shapeless’ such as the ocean or the sky; as such, they associate the viscous flows of paint with the amorphousness of the sea.

    The allusion to the Kantian sublime is a Postmodernist attack on Modernism’s exaltation of pictorial form as finite; instead, the sublime can be infinite as well as formless. As works that manifest the sublime, their condition as a hyperreality presents what appear to be representations of various sea scenes as images without referents where reality and illusion are brought into question.”


  15. "Nothing human is finally calculable; even to ourselves we are strange."
    — Gore Vidal  (via likeafieldmouse)

    (Source: theparisreview, via likeafieldmouse)